Constitutions in the digital space
The Stanford Encyclopedia of Philosophy definition of Rights contains some interesting insight about political constitutions :
More generally, a political constitution can be seen as a multi-level structure of rights that distributes authority over rules of conduct in a distinctive way. A democratic constitution, for example, may give voters the power to elect legislators, who have certain powers to enact laws, which the judiciary has certain powers to interpret, and the police have certain powers to enforce. The facts about who should be free to do what within any legal or political system, as well as the facts about who should be free from which actions and conditions, will be expressible as a complex set of layered rights.
Digital Rights Management (DRM) systems can be seen as constitutions in the digital space. A democratic constitution in the digital space would give users the power to elect legislators who have the power to express, interprete and enforce DRM.
Taking for granted that the DMP designs technical specifications for constitutions in the digital space the question suggests itself how the entities are elected who have the power to express, interprete and enforce the complete DMP governance infrastructure.
The procedures of this election are described in Approved Document No. 5, WD 2.0 – Technical Specification: Certification and Registration Authorities, Phase III. The first step of the process will be the drafting of a Call for Participation by the General Assembly at the 12th DMP General Assembly in Beijing. Then prospective Authorities will submit applications and finally there will be a vote on the proposal of the Board of Directors by the General Assembly (see setting up the DMP governance infrastructure).
Assuming that DMP is successful, I foresee the following:
- A company with a close relationships but not a direct economic stake in a Collective Management Society (CMS) will apply for Content Registration Authority. The Content Registration Authority manages the root namespace for Content Identifiers.
- In order to obtain a Content Identifier, a User will need to declare that he owns the copyright of the content (in DMP terminology: that the Content Item is a Manifestation of his Work). This can be realized by the User providing a certificate pointing to a Work Identfier. A common standard for identifying musical works is the International Standard Musical Work Code (ISWC). For getting an ISWC certificate, the User will need to contact one of the 41 agreed ISWC agencies. Companies which are compliant with a set of conditions can apply to become ISWC Registration Agencies
- Since two Identifiers need to be obtained in order to register Content to the IDP, the CMS will have a competitive advantage for operating Registration Agencies, because they can provide a one-stop shop for Content Identifiers and Work Identifiers.
- It will depend on the cost of operating an ISWC Registration Agency if independent Users will be able to operate services for registering non-commercial Content to the IDP.
Of course all this reminds us of Douglas Adams‘ Hitchhikers Guide to the Galaxy:
Uncomprehending terror settled on the watching people of Earth [...] the Vogons turned on their PA again. It said: “There’s no point in acting all surprised about it. All the planning charts and demolition orders have been on display in your local planning department in Alpha Centauri for fifty of your Earth years, so you’ve had plenty of time to lodge any formal complaint and it’s far too late to start making a fuss about it now.”
Conclusion: If DRM systems can be seen as constituitions in the digital space, it’s getting time that more people of Earth get involved in the specification process. And even if people do understand what all this is about, this article about ICANN shows that national governments tend to get in the way of democratic elections in the digital space when they realize that they would lose power.


